Wednesday, 19 November 2014

Understanding and Using Mise-en-scene article summary

The first example in this article are two versions of batman: 1960's TV version and Christopher Nolan's, The Dark knight rises (2012). The difference between how mise en scene is used in these two versions clearly depicts the sophistication of each. The TV series has the characters wearing bright, 'garnish and cartoonish' colours. Where as in The Dark Knight Rises the location looks more realistic and the colours are a lot more dark to reflect the tone of the scene. These differences allow the audience to establish what mood they should be feeling whether it is 'light hearted ' or something more 'serious'.



The second example is Submarine (2010). From the very begging of the film the audience are shows subtle indications to Oliver's personality. This scene is showing that the background of a shot is extremely important to manipulate the audiences views, as Oliver's personality was clearly complex from the items which he possessed. Firstly he had toys which indicated he was quite young, but also had lots of very large books and scientific items to suggest his intelligence was above just a child. The costumes within Submarine also play a key role, His duffle coat (associated with nerds) was always worn and allows the audience to understand his character. The costumes of his parents are also very important, they wear very ragged and run down clothes. This implies how Oliver thinks of his parents, and therefore costume also establishes relationships.



The article also summarises and gives inspiration of how to successfully use mise-en-scene in our own film. It suggests we are creative with locations and consider any relatives or friends who may work somewhere interesting. The locations in our film do not necessarily reflect this, this is due to it being about a normal boy who is supposedly living a normal life. Therefore  I feel it would be inappropriate to shoot in an un-ordinary location.
Secondly the article talks about the scenery and how we should carefully consider what is in the background. We have done this within our film, for example in the bedroom scene I have re-arranged furniture to make the space more 'filmable' while also removing any items which don't suit Freddie's personality. We will also have hints of his life as there will be boxes of stolen items and a messy room to show he is not sane.

Thirdly when the article mentions costumes it suggests we should not just be 'wearing the clothes we happened to be in at the time' but actually consider how our outfit would reflect the characters personality. We have carefully considered this aspect. For example Freddie (played by Tom) will be wearing a mixture of black (associated with evil and darkness) and white (associated with innocence). This will make it unclear to the audience whether he is an antagonist or protagonist and therefore confuse/intrigue the audience which are key conventions of thriller films. Friend one and two (the supportive friends) will be wearing white, to establish that they are good) where as friend three will be wearing black to show her as cruel and un supportive. Finally Enzo's makeup has been carefully planned and practised many times on our blog - she will look very run down, skinny and tired. Her hair will be very messy and big to show her insanity. Finally her costume will be all black to show that she is the antagonist.

According to the article the props we place with each character will 'develop' them and 'provide visual interest'. We have included items such as phones as their are associated with our target audience and will therefore engage them as they will feel they have similarities with the characters. We have also included a (fake) gun to add some excitement to the opening. Gun scenes are typical of thrillers are created suspense and tension which will engage the audience.


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